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SSCIA&HCISCOPUSQ3

Psychology of Music

SAGE PUBLICATIONS INC, United Kingdom

Psychology of Music is an academic journal published by SAGE PUBLICATIONS INC (United Kingdom). Identifiers: ISSN 0305-7356, eISSN 1741-3087. Indexed in SSCI, A&HCI, SCOPUS. Metrics: JIF 1.6, CiteScore 5.2, SJR 0.936, SNIP 1.54. Subject areas: APPLIED, EDUCATIONAL, EXPERIMENTAL, MUSIC. tlooto lists 2,022 papers from this journal.

CiteScore

5.20

Scopus citation metric

SJR

0.936

SCImago rank

SNIP

1.54

Source normalized impact

Percentage rank

-

JIF percentile rank

Journal profile

ISSN
0305-7356
eISSN
1741-3087
Abbreviation
PSYCHOL MUSIC
Publisher
SAGE PUBLICATIONS INC
Country
United Kingdom

Web of Science categories

SSCIAPPLIED, EDUCATIONAL, EXPERIMENTAL, PSYCHOLOGY
A&HCIMUSIC

Scopus ASJC categories

1210 Music3201 Psychology (miscellaneous)

Keywords

MusicPsychology, Educational | Psychology, Applied | Psychology, Experimental

Papers in this journal

Recent papers

  1. Development and Validation of the Self-Regulated Learning in Music Practice Self-Report Scale (SRL-MP-SRS)

    2026

  2. Long-term impacts of health education on university music students: A retrospective qualitative case study

    2026

  3. Building reflective practice: Implementing a self-regulated musical learning intervention proposal in online cello lessons

    2026

  4. “I Can See Clearly Now”: On the time-varying associations between self-concept clarity and music preferences across adolescence into young adulthood

    2026

  5. Psychometric validation and factorial structure of the Chinese version of the Kenny Music Performance Anxiety Inventory (K-MPAI)

    2026

Most cited papers

  1. Music Structure and Emotional Response: Some Empirical Findings

    1991 · 754 citations

  2. The role of music in adolescents' mood regulation

    2007 · 725 citations

  3. A comparison of the discrete and dimensional models of emotion in music

    2011 · 690 citations

  4. 6 – Rhythm and Tempo

    1982 · 667 citations

  5. Emotional Expression in Music Performance: Between the Performer's Intention and the Listener's Experience

    1996 · 537 citations