Gothic Literature and Media AnalysisCrime and Detective Fiction StudiesGender, Feminism, and Media

Elsa del Campo Ramírez.

2026.1.1Revista de Estudios Norteamericanos

DOI: 10.12795/ren.2026.i30.3

Abstract

The archetype of the cowboy as it was originally conceived in the late 19th century—unyielding, free-spirited, and courageous—may need an urgent revision in the new millennium. Far from destroying the American frontier hero par excellence, the third season of True Detective (2019) and Fallout (2024) offer a more nuanced, sensible, and sociable depiction of the cowboy that points towards the deconstruction of the archetype or, rather, to its updating within the context of the Trump era in corporatist America. In this essay, I analyze and describe how the cowboy myth is stripped of some of his traditional traits, particularly those associated with the relentless use of violence and a masculinity built upon a macho attitude.

Citation format

RAMÍREZ., Elsa del Campo. The last frontier… hero? Mas-cool-inities and mask-ulinities in the third season of true detective and fallout. Revista de Estudios Norteamericanos, 2026: 35–59.