Sándor Őze

2024Disegno

DOI: 10.21096/disegno_2024_2os

tlooto Summary

It is argued that cybernetics simultaneously expanded design’s methodological repertoire and integrated it more tightly into industrial rationalisation and f lexible production, while also contributing to the depoliticisation of modernist utopias by reframing political and social projects as technical problems of control, communication, and optimisation.

Abstract

The article investigates how early cybernetics shaped late modern design within the broader transformation from Fordist mass production to post-Fordist regimes of flexible accumulation between 1945 and 1975. It argues that transformations of capitalist production regimes constitute a necessary framework for analysing the designed environment. Part I outlines Norbert Wiener’s cybernetics as an interdisciplinary methodology emerging from the Fordist military–industrial production, highlighting its implications for automation, networked infrastructures, and information-based conceptions of economy and labour. Part II examines two Bauhaus successor institutions—the HfG Ulm and The New Bauhaus/Institute of Design—to show how cybernetic concepts informed the shift from object-centred to systems-oriented design, redefining the designer as a coordinator of complex socio-technical networks. The article argues that cybernetics simultaneously expanded design’s methodological repertoire and integrated it more tightly into industrial rationalisation and f lexible production, while also contributing to the depoliticisation of modernist utopias by reframing political and social projects as technical problems of control, communication, and optimisation.

Citation format

ŐZE, Sándor. Cybernetic modern design in emerging post-fordism: Systems thinking, industrial transformation, and the logic of flexible accumulation. Disegno, 2024.