PhilosophySociology

J. Gimzewski, V. Vesna

2003.3.1Technoetic Arts

DOI: 10.1386/tear.1.1.7/0

tlooto Summary

Nanotechnology's rise is hindered by the blurring of fact and fiction, with often misleading images and narratives perpetuated through popular culture and science fiction.

Abstract

In both the philosophical and visual sense, ‘seeing is believing’ does not apply to nanotechnology, for there is nothing even remotely visible to create proof of existence. On the atomic and molecular scale, data is recorded by sensing and probing in a very abstract manner, which requires complex and approximate interpretations. More than in any other science, visualization and creation of a narrative becomes necessary to describe what is sensed, not seen. Nevertheless, many of the images generated in science and popular culture are not related to data at all, but come from visualizations and animations frequently inspired or created directly from science fiction. Likewise, much of this imagery is based on industrial models and is very mechanistic in nature, even though nanotechnology research is at a scale where cogs, gears, cables, levers and assembly lines as functional components appear to be highly unlikely. However, images of mechanistic nanobots proliferate in venture capital circles, popular culture, and even in the scientific arena, and tend to dominate discourse around the possibilities of nanotechnology. The authors put forward that this new science is ultimately about a shift in our perception of reality from a purely visual culture to one based on sensing and connectivity. Micromegas, a far better observer than his dwarf, could clearly see that the atoms were talking to one another; he drew the attention of his companion, who, ashamed at being mistaken in the matter of procreation, was now very reluctant to credit such a species with the power to communicate. (Voltaire, 1729 pg. 24) Introduction Nanotechnology is more a new science than technology, and the industry being constructed around it, predictably uses old ideas and imagery. During its current rise to prominence, a strange propagandist “nanometer” has emerged in our midst without being clearly realized by any of the participants. It is layered with often highly unlikely ideas of nanotech products that range from molecular sensors in underwear, smart washing machines that know how dirty the clothes are, to artificial red blood cells and nanobots that repair our bodies, all the way up to evil swarms of planet-devouring molecular machines. Sensation-based media happily propagates this powerful and misleading cocktail combining scientific data, graphically intense visualizations together with science fiction artwork. In the past few years, mixed up nanomemes have emerged, where the differences between science fiction novels, front cover stories and images of reputable journals such as Science or Nature are becoming differentiated by the proportion of fiction to fact rather than straight factual content. Venture capitalists, the military, governments around the world as well as educational institutions seduced by this syndrome are portraying nanotech as the savior of our rapidly declining economies and outdated military systems. Dovetailing on the recent frenzied exponential rise and fall of information technologies, and also to a degree by biotechnology, the need for a new cure-all has been identified. Two terms often used interdependently are nanoscience and nanotechnology. Surprisingly, the term nanotechnology predates nanoscience. This is because the dreams of a new technology were proposed before the actual scientific research specifically aimed at producing the technology existed. The term nanotechnology, in its short lifetime, has attracted a variety of interpretation, and there is little agreement, even among those who are engaged in it,

Citation format

GIMZEWSKI, J.; VESNA, V. The nanoneme syndrome: Blurring of fact and fiction in the construction of a new science. Technoetic Arts, 2003, 1: 7–24.