Norman Carey, David Clampitt
1989.10.1MUSIC THEORY SPECTRUM
tlooto Summary
Research article explores well-formed scales in music theory, defining and characterizing them based on their underlying structure and relationships between intervals.
Abstract
Pentatonic, diatonic, and chromatic scales share the same underlying structure, that of the well-formed scale. Well-formedness is defined in terms of a relationship between the order in which a single interval generates the elements of a pitch-class set and the order in which those elements appear in a scale. Another characterization provides a recursive procedure for organizing all well-formed scales into hierarchies. Finally, well-formed scales are defined in terms of scale-step measure, and aspects of the diatonic set are examined. This content downloaded from 157.55.39.195 on Thu, 14 Apr 2016 05:35:50 UTC All use subject to http://about.jstor.org/terms
Citation format
CAREY, Norman; CLAMPITT, David. Aspects of well-formed scales. MUSIC THEORY SPECTRUM, 1989, 11: 187–206.