Social Sciences
DOI: 10.1111/j.1468-2427.2005.00620.x

tlooto Summary

Critique of the creative class and creative cities concepts as neoliberalized urban strategies that extend entrenched tendencies in urban politics.

Abstract

This article develops a critique of the recently popularized concepts of the ‘creative class’ and ‘creative cities’. The geographic reach and policy salience of these discourses is explained not in terms of their intrinsic merits, which can be challenged on a number of grounds, but as a function of the profoundly neoliberalized urban landscapes across which they have been traveling. For all their performative display of liberal cultural innovation, creativity strategies barely disrupt extant urban‐policy orthodoxies, based on interlocal competition, place marketing, property‐ and market‐led development, gentrification and normalized socio‐spatial inequality. More than this, these increasingly prevalent strategies extend and recodify entrenched tendencies in neoliberal urban politics, seductively repackaging them in the soft‐focus terms of cultural policy. This has the effect of elevating creativity to the status of a new urban imperative — defining new sites, validating new strategies, placing new subjects and establishing new stakes in the realm of competitive interurban relations. L’article presente une critique des concepts de ‘classe creative’ et ‘villes creatives’ publies recemment. La portee geographique et la pertinence politique de ces discours s’expliquent non par leurs merites intrinseques, ceux‐ci pouvant etre remis en question a plus d’un titre, mais en tant que fonction des paysages urbains fortement neoliberaux qu’ils ont traverses. Quant a leur manifestation concrete de l’innovation culturelle liberale, les strategies de creativite derangent a peine les orthodoxies qui subsistent en politique urbaine, fondees sur une competition interlocale, un marketing de lieu, une expansion axee sur la propriete et le marche, un embourgeoisement et une inegalite socio‐spatiale normalisee. Mais surtout, ces strategies toujours plus presentes prolongent et recodifient des tendances bien installees en politique urbaine neoliberale, les rhabillant de maniere attrayante dans un flou artistique terminologique de politique culturelle. Ainsi, la creativite est elevee au statut de nouvel imperatif urbain pour definir de nouveaux sites, valider de nouvelles strategies, positionner de nouveaux sujets et instaurer de nouveaux enjeux dans la concurrence interurbaine.

Citation format

PECK, Jamie. Struggling with the creative class. INTERNATIONAL JOURNAL OF URBAN AND REGIONAL RESEARCH, 2005, 29: 740–770.