Arts and Humanities
DOI: 10.1017/rmu.2023.13

tlooto Summary

Wayne Shorter's opera invites reflection on programmatic punctuation, blurring boundaries between Iphigenia and its context.

Abstract

The title of Wayne Shorter and esperanza spalding's opera—not simply Iphigenia, but rather …(Iphigenia)—invites reflection on its programmatic punctuation: Iphigenia dwells between parentheses, supplemented by an ellipsis.

Citation format

TELÒ, Mario. IPHIGENIA'S STIGMATOLOGIES. RAMUS-CRITICAL STUDIES IN GREEK AND ROMAN LITERATURE, 2023, 52: 74–78.